Why We Vote Taj Mahal ?

In 1612, Arjumand Banu Begam, a Muslim Persian princess better known by her other name, Mumtaz Mahal was married to Shah Jahan (then Prince Khurram), the fifth Mughal emperor. Mumtaz, the emperor's second wife, was her husband's comrade and counselor. An inseparable companion on all his journeys and military expeditions, she inspired the emperor to do acts of charity and benevolence towards the weak and the needy. Mumtaz bore 14 children, and when she died during childbirth in 1631, Shah Jahan was so heartbroken that all his hair and beard were said to have turned snow-white in a few months! Overpowered by grief, Shah Jahan decided to immortalize the memory of his beloved wife by building the finest sepulcher ever - a monument of eternal love. Herein lies the genesis of the Taj Mahal.
The construction documents show that its master architect was Ustad Ahmed Lahori, the renowned Islamic architect of his time. The much-celebrated saga of royal love was brought to life by dexterous and skilled artisans from places as far away as Delhi, Kannauj, Lahore, Multan, Baghdad, Shiraz and Bukhara.

Construction began in 1631, and over 20,000 workmen and master craftsmen worked laboriously for 22 years to give shape to the emperor's passionate dream! The material was brought in from all over India and central Asia and it took a fleet of 1,000 elephants to transport it to the site. The complex was finally completed in 1653 at a cost of 32 Million Rupees (approx USD 68000) on the banks of river Yamuna in Agra, the capital of the Mughal monarchs.

But the beauty of Taj Mahal is also tainted by the gory fact that the hands of some of the master craftsmen were amputated... to ensure that the perfection of the Taj could never be repeated ever again!

A Day at Taj Mahal

Taj Mahal in the MorningThe glory of the monument is strangely undiminished by the crowds of tourists who visit each day, as small and insignificant as ants in the face of this immense and captivating monument. That said, the Taj is at its most alluring in the relative quiet of early morning, shrouded in mists and bathed with a soft red glow. As its vast marble surfaces fall into shadow or reflect the sun, its colour changes, from soft grey and yellow to pearly cream and dazzling white; it's well worth visiting at different times. This play of light is an important decorative device, symbolically implying the presence of Allah, who is never represented in anthropomorphic form.

Beauty of Taj Mahal during DayThe Taj Mahal shows a different aspect of beauty at different times of the day. The sight of the Taj awash with the subtle pinks of dawn is an unforgettable sight. Sunsets stain the Taj an exotic shade of orange. But nothing beats the poignant beauty of the Taj seen when the cool white marble is bathed in the soft silver light of the moon. Even in the bright light of the day, this wonder of the world shines with an awe-inspiring loveliness.

There's no time limit on visits to the Taj, and some people spend most of the day here, sitting, reading, dozing or picnicking in the beautifully kept gardens. Hawkers and salesmen are not allowed in, and official guides are not available on site, but can usually be provided by hotels, and always accompany organized tours. The ticket office, just outside the western gate, is rarely blocked by long queues, except between 4 and 5 pm before the admission fee increases; bring the right amount of money as the ticket booth attendants rarely have change and tend to pocket the difference.
The Mausoleum of the Taj Mahal at Agra stands in a formally laid-out walled garden entered through a pavilion. The architectural complex comprises five main elements: the Darwaza or main gateway, the Bageecha or garden, the Masjid or mosque, the Naqqar Khana or rest house, and the Rauza or the Taj Mahal mausoleum. The actual Tomb is situated inside the Taj. The unique Mughal style combines elements of Persian, Central Asian, and Islamic architecture. The mosques, built only to balance the composition are set sufficiently far away to do no more than frame the mausoleum. In essence, the whole riverside platform is a mosque courtyard with a tomb at its center. The great entrance gate with its domed central chamber, set at the end of the long watercourse, would in any other setting be a monument in its own right.

The Taj stands on a raised, square platform (186 x 186 feet) with its four corners truncated, forming an unequal octagon. The architectural design uses the interlocking arabesque concept, in which each element stands on its own and perfectly integrates with the main structure. It uses the principles of self-replicating geometry and a symmetry of architectural elements. The four graceful and slender 162.5 feet minarets, set symmetrically about the tomb, are scaled down to heighten the effect of the dominant, slightly bulbous dome. Its central dome is 58 feet in diameter and rises to a height of 213 feet It is flanked by four subsidiary domed chambers.

The tombs of Shah Jahan and his wife Mumtaz Mahal are actually located in a shadowy burial crypt. Above them, in the main chamber are false tombs, a common practice in mausoleums built during the Mughal period. Light is admitted into the central chamber by finely cut marble screens. The echo in this high-domed chamber is worth hearing, and there is always somebody there to demonstrate it.
Ironically, the perfect symmetry of Taj is disrupted by the tomb of the man who built it. When Shah Jahan died in 1666, his son Aurangzeb, placed his casket next to that of Mumtaz Mahal. His presence which was never intended, unbalances the mausoleum's interior.